Ed Sweeney Re-releases "What Lies Ahead" to Radio Feb 1, 2021 

Trespass Music is pleased to re-release ED SWEENEY & YANG WEI (with members of Yo-Yo Ma's Silk Road Ensemble) CD "What Lies Ahead" to radio on February 1, 2021. "What Lies Ahead" represents a musical collaboration where Eastern and Western traditions meet. The timing and the songs are uplifting and refreshing in these times. 

RHODE ISLAND | FOLK | INSTRUMENTAL | TRADITIONAL FOLK | WORLD

Releasing February 1, 2021 
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Our introduction to one another was short and to the point: “Yang Wei, this is Ed. He plays banjo. Ed, this is Yang Wei. He plays pipa. You two should talk.”  

It was 2006 in Chicago, and talk we did ­– that night throughout dinner and for hours the following day.   

A few months later in Rhode Island, we picked up where we left off. This time, dinner was at my home, where we swapped stories and songs and discovered how much we enjoy one another’s music, musicianship, and company.  

The following spring we presented our first concert together. Inspired by that collaboration, we headed into the recording studio to capture a few ideas. Ensuing concerts and studio sessions expanded our initial concepts – a potpourri of traditional music from China, the United States, Russia, Ireland, traditional hymns, and Gregorian chant.

Track Card - Focus Tracks **

1. Medley: K’ang Ting Love Song/The Star of County Down (5:02) QSRC -QM9AA1564018- Chinese/Irish -- Pipa, 5 String Banjo, Cello, Tabla, Guitar, Appalachian Dulcimer, Fiddle.  A medley of a Traditional Chinese with a Traditional Celtic. 

 **2. Medley: Veni Creator Spiritus/The Lourdes Hymn (2:49) QSRC -QM9AA1564019-– Gregorian Chant/French - Solo Guitar - A Medley of Two Western Hymns 

  **3. Old Six Beats (2:16) QSRC -QM9AA1564020– Traditional Chinese - Pipa and 5 String Banjo 

  4. QM9AA1564020- Liu Yang River (3:05) QSRC -QM9AA1564021– Traditional Chinese - Solo Pipa 

  5. Miss Hamilton (3:19) QSRC -QM9AA1564022 – Irish/Scottish - Guitar & Appalachian Dulcimer 

  6. Send Me a Thornless Rose (3:49) –QSRC -QM9AA1564023- Traditional Chinese Inspired (Yang Wei) - Pipa and Tabla 

  7. Meadowlands (3:06) – QSRC -QM9AA1564024- Russian - 12 String Guitar - This melody is also known as Song of the Plains. It roots go back to the 15th or 16 century 

  **8. O Come O Come Emmanuel (2:39) QSRC -QM9AA1564025 – Gregorian Chant - Pipa and 5 String Banjo -  This Chant is usually sung during the time of Advent. 

  **9. Bang Chhun-hong (Longing for a Spring Breeze) (5:11) QSRC -QM9AA1564026– Taiwanese - Pipa, Guitar, Cello, Fiddle, Tabla, Appalachian Dulcimer.  This song is the unofficial anthem for Taiwan. It was written by a Hakka Taiwan musician during the time of Japanese occupation. 

  **10. Simple Gifts (3:04) QSRC -QM9AA1564027– American - Pipa and 5 String Banjo - Simple Gifts is a Shaker Song (The Shakers did not have hymns) which was written in 1848. 

  11. Talk About Suffering (4:11) QSRC -QM9AA1564028 – American - Pipa & Guitar - I first heard this as an A capelila song on a 1964 Doc Watson album. This is our version with Pipa and Guitar. 

 **12. Medley: Jesu, Joy of Man’s Desiring/Scotland the Brave/Sourwood Mountain (2:58) – QSRC -QM9AA1564029- Bach/Scottish/American - 5 String Banjo Medley. 

  13. Please Stay with Me Friend from Far Away (3:14) QSRC -QM9AA1564030 – Chinese -  Pipa 

  14. Snowflake Reel (1:09) – QSRC -QM9AA1564031- American - Pipa & 5 String Banjo - Traditional Dance/Fiddle Tune 

  15. Home on the Range (2:49) QSRC -QM9AA1564032- American - Pipa and Guitar. 

  What Lies Ahead  - Produced by Ed Sweeney & Yang Wei 
Recorded, Mixed and Mastered by David Correi Celebration Sound 
Cover Photo - Cindy Wilson 
Graphic Design by Sandy Kenney 
copyrighted and published by Ed Sweeney Music

 

ABOUT ED SWEENEY & YANG WEI Our introduction to one another was short and to the point: “Yang Wei, this is Ed. He plays banjo. Ed, this is Yang Wei. He plays pipa. You two should talk.”  

It was 2006 in Chicago, and talk we did ­– that night throughout dinner and for hours the following day.   

A few months later in Rhode Island, we picked up where we left off. This time, dinner was at my home, where we swapped stories and songs and discovered how much we enjoy one another’s music, musicianship and company.  

The following spring we presented our first concert together. Inspired by that collaboration, we headed into the recording studio to capture a few ideas. Ensuing concerts and studio sessions expanded our initial concepts – a potpourri of traditional music from China, the United States, Russia, Ireland, traditional hymns, and Gregorian chant.  

 ABOUT ED SWEENEY 

Ed Sweeney honors people and their history by presenting music that entertains as well as educates. Through his musical expertise, breadth of knowledge, and wonderful sense of humor, Ed helps listeners come to understand the motivations, stories, and culture that have made us who and what we are today.  

For almost 40 years, Ed has performed nationally and internationally in schools, clubs, tea houses, at festivals, house concerts, theatres — almost any venue imaginable. Ed’s concerts and recordings have earned accolades throughout the United States, Canada, parts of Europe and parts of Asia. Reviewers call him “a master of unpretentiousness” and “delightfully fresh.”  

Ed performs a wide-ranging repertoire (traditional, blues, old-timey, ragtime, Christmas, Beatles, Bach, O’Carolan…) on 6- and 12-string guitar, 5-string banjo, and fretless banjo.  He primarily plays finger-style guitar; his style of banjo playing is known as clawhammer, frailing, or old-timey.  

Ed started learning rock guitar from blind blues guitarist Paul Pena after hearing him play at his high school’s coffee house. A few months later Ed, playing pop hits (Neil Young, CS&N), opened for Andy Cohen who, after the show, took Ed aside and introduced him to a whole new genre of music – country blues and traditional songs.  

That meeting ignited a curiosity and passion that continues to this day. Ed became Providence College’s first music major by creating a curriculum, then finding instructors who not only taught him how to play traditional music but also where to find it.  

Four decades later, Ed is still exploring and building new avenues and partnerships for sharing the music of many peoples.  

His latest CD, Commonplaces, is with Mary Lee Partington as Partington & Sweeney. Commonplaces tells stories of immigrants, farmers and factory workers during 19th and 20th century America.  

What Lies Ahead, his previous recording with Pipa master Yang Wei and other members of Yo-Yo Ma’s Silk Road Ensemble represents a musical collaboration where Eastern and Western traditions meet.  

Other recordings are instrumental Americana and instrumental Christmas, including Inside Fezziwig’s, which USA Today called “the best folk Christmas release of the year.”  

Ed’s music also can be heard on television soundtracks, as background music in Disneyland Paris, and in the Ken Burns documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton & Susan B. Anthony. Ed has been featured on NPR and other radio networks.  

Today you might watch Ed in a solo concert of eclectic songs and styles. Or you might watch him perform with Yang Wei as they mix Eastern and Western Traditional music. Perhaps you’ll watch him and Mary King combine the songs of Stephen Foster with the wit of Mark Twain.  Or maybe you’ll listen as Mary Lee Partington and Ed, as Partington & Sweeney, weave a musical story of immigrants and their traditions as they moved west.  

ABOUT YANG WEI

Yang Wei has been celebrated worldwide, performing for and inspiring audiences throughout Asia, Europe, and the United States. 

His musical education began at the age of 6, and by age 18 he performed as a soloist with the National Shanghai Orchestra. In 1989 Yang Wei received the ART Trophy First Prize for the International Chinese Musical Instruments Competition in the Young Professional Pipa Section

In 1996, he moved permanently to the United States, making his home in the Chicago area. 

In addition to performing as a soloist with orchestras around the world, he has toured with the acclaimed Silk Road Ensemble since 2000 performing alongside world-famous cellist Yo-Yo Ma. Also an educator, Yang Wei has been an Artist-in-Residence for the Art Institute of Chicago, received a Fellowship in Ethnic and Folk Arts from the Illinois Arts Council, and was a resident artist at the Humanity Institute of the University of Michigan

Yang Wei's artistic perspective honors the musical heritage of his homeland in China, but also combines the Western influences of his new home. He is committed to sharing his music with the community around him and continues to be interested in exploring the possibilities created by blending his eastern instrument with Western influences and themes.

SOCIALS 

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